Ld Systems Mei 100 G2

Auch dies spricht für ausreichende Arretierung mittels Tasche anstatt der angebrachten Klemme. Limiter: Optional lässt sich ein Limiter in den Signalweg schalten.

Damit sind Ohren und Hörer bei eventuellen Lautstärkespitzen geschützt, wie sie zum Beispiel im Fall von Feedbacks oder lauten Knackgeräuschen entstehen können.

Locking-Funktion Sperren des Empfängers : Ist diese Option aktiviert, ist keine Veränderung mehr über die Scrolltasten möglich, der Empfänger ist somit gegen versehentliches Verstellen geschützt.

So liegt beispielsweise das eigene Signal Gesang, Gitarre, Bass, etc. Das Verhältnis des Solosignales zum Rest kann damit bequem am Empfänger eingestellt werden.

Kopfhörerverstärker sind ein Muss auf der Bühne und im Studio. Sind hohe Preise ebenfalls ein Muss? Details Praxis Fazit. Details Gemeinsamkeiten Beide Systeme werden mit Sendestation inkl.

In general, both devices can be used to level the transmitter as they have a purely visual level indicator on the display.

If you have understood the basic information that the available 96 frequencies are divided into 8 groups of 12 channels, then you can get started straight away.

First of all select a group and then a channel using the transmitter via the set and scroll keys. You should pay attention here, because after a few seconds the display jumps back and only displays the selected frequency.

The next step is to select the identical group and the corresponding channel on the receiver. First of all, the general principle applies that you should do this either without earphones, or at least with the receiver volume turned down.

The noise that can occur here is neither healthy for the earphones let alone for your ears. If you forgot to set a group and channel on the transmitter in the meantime, then you have to go back to the set menu on the transmitter, as the display only shows the currently active frequency.

Unfortunately, this is a bit cumbersome. The set and scroll buttons on the MEI G2 are directly accessible on the front of the receiver.

This is the only way to reach the scroll keys on the MEI ; the set button is located under the front cover of the battery compartment, which you have to open first to adjust the settings.

This model is the same in that you first have to select a group and channel from the menu using the set button. The priority with the MEI G2 therefore is in keeping the flap open, so you can easily operate the scroll keys during operation.

Similar to the process on the transmitter, the receiver display shows the selected frequency after a few seconds, which must match that of the transmitter.

The display on both receivers displays whether a RF or broadcast signal is being received, and an AF display indicates whether an audio signal is present.

The hope is that this results in background noise-free transmission of the monitor signal to the transmitter. However, this is not always immediately the case.

It is therefore advisable to turn up the volume control on the receiver slowly and gradually. If the result is not satisfactory, i.

The MEI G2 appeared largely resistant to all sorts of other sources of interference, such as mobile phones, laptops, Bluetooth, Wi-Fi and whatever else is in the overall electromagnetic pollution floating through the air.

The reception range, even through multiple walls, was equally impressive on both models. This should rarely lead to on-stage problems, which is especially critical for applications in which the actors are positioned far away from the transmitting station.

This is common in theatre productions, outdoor events, conferences and similar events, in which cases this would work and forego the need for costly directional antennas.

With regard to the signal-to-noise ratio, I must add that open, non-adjusted earpieces must usually be set to higher volumes, which inevitably increases the noise.

I would describe the sound quality on both systems as adequate, and definitely good enough for most applications.

One must be aware that it is mainly the low frequencies that are lost when transmitting wirelessly. It could be that this is required here, and I found the result helpful, but the function is however not mandatory.

Normally, the sound can already be modified accordingly by the monitor desk. Even the cheaper MEI G2 showed sufficient definition in this regard.

Neither systems produce hi-fi sound, and you have to be clear about that. Compare Products. Delete all. Earpieces Yes. Information on the supported frequency ranges Here you can see which frequencies are supported by this wireless system and the countries in which these frequencies are allowed in the future for wireless applications.

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Related Products. Our friends in Brussels recently did something useful for musicians in the EU. We now have some new frequencies we can legally use for our IEMs and wireless mics all over Europe - the EU has forced our governments to clear out channel 65 and 66 also known as duplex gap or G2 for "wireless audio programme making and special events equipment" This is in addition to channel 70 frequencies.

I was holding back on buying IEMs because I already have instruments on channel 70 and you can only realistically fit 3 or 4 transmitters on there.

I use the new shure 2. Thanks to LDs early adoption of the G2 frequencies, you don't have to buy a licence now in Europe. So as far as build is concerned, the belt receiver and transmitter are very high quality build, made to last.

Sound wise the system is functional. The receiver is loud enough, but doesn't have any extra kick so you are not going to go deaf using it.

As it is FM technology, the sound quality suffers at the low end, if you are a bass player it probably won't cut it as the bass is distorted and the lowest end is not present.

So it's not the ear phones that are letting it down. I would compare the sound to a lower end FM car transmitter. I know it's possible to get great FM transmission these days, some of the high end in car FM transmitters are absolutely brilliant with deep bass and great signal to noise ratio, it's a shame LD didn't choose a more up to date encoder chipset, or include some sort of compander technology like HDX like you find on the Sennheisers.

It is however functional enough and the additional free channels make it worthwhile and good value for money.

The transmitter range is good enough, I can get 25 meters outside with clear stereo reception. I think I'll have to vote to stay in the EU now, if we drop out, the British government might want those channels back :.

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